Perception of Flux: A Study of Choreography and Bodily Consciousness under Socio-Ecological Changes
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Dankook University, Yongin, South Korea
Dankook University, Yongin, South Korea
Abstract
Contemporary society is undergoing multiple socio-ecological transformations—including urbanization, digitalization, and the climate crisis—that have systematically reshaped individual perceptual structures. As an embodied art form, dance functions as a dynamic response of the body to ecological and social tensions. Grounded in Gibson’s ecological perception theory and the social ecology framework proposed by Haberl et al. (2016), this study introduces the concept of “Perception of Flux”, a mechanism through which socio-ecological inputs are transformed into regenerated bodily consciousness via choreographic practice. Through qualitative analysis and case-based validation, the research reveals how dancers embody environmental stimuli and social experiences into movement vocabularies, forming new ecological cognition within the interrelations of body, space, and society. The study further constructs a dual-cycle model of socio-ecological and bodily perception, offering an ecologically informed and socially oriented theoretical pathway for contemporary choreographic creation.
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References
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