Xinhuan Zeng's academic work focuses on the intersection of dance, artificial intelligence, and movement science. His research examines the visualization and quantitative analysis of dance movement, including Chinese classical dance and ballet, through computational tools such as OpenPose and MediaPipe.

His research further explores AI-assisted motion tracking, embodied cognition, dance learning, and creative decision-making by integrating movement data with expert-based evaluation frameworks.

He also has experience in choreography, digital interactive performance, and international dance exchange. In addition, he serves as Co-Editor-in-Chief of the Global Review of Humanities, Arts and Society.

He holds a PhD in Dance Studies from Hanyang University, South Korea, and is currently undertaking postdoctoral research at the School of Arts, Southeast University.

His research focuses on intangible cultural heritage and dance, quantitative movement analysis, dance science, and interdisciplinary approaches connecting dance studies with mathematical modelling and motion analysis.

He holds a PhD in Dance Studies from Hanyang University, South Korea.

His research interests include choreography and creative practice, dance pedagogy, choreographic theory and practice, ethnic dance performance, and contemporary choreographic forms.

His academic and teaching practice emphasizes the integration of theoretical analysis with movement-based training, choreography, and dance education.

He holds a PhD in Dance Studies from Hanyang University, South Korea.

His research spans contemporary dance theory and practice, dance aesthetics, dance education, performance analysis, Chinese traditional dance and contemporary creation, and cross-cultural dance studies.

His recent work also considers embodied expression, theatre aesthetics, dance and moving-image practices, and the development of contemporary dance in Korea.

He holds master's and doctoral degrees in Dance Studies from Chung-Ang University, South Korea, and a bachelor's degree in Dance Studies from Jiangxi Normal University, China.

His research interests include choreography and creative practice, site-specific dance, dance education, comparative studies of embodied techniques in Chinese and Korean traditional dance, and digital dance.

She holds a PhD in Dance Studies from Hanyang University and a master's degree in Contemporary Dance from Dankook University, South Korea.

Her research interests include contemporary dance training and creation, choreography theory, dance education, dance psychology, performance studies, and the anthropology of the dancing body.

She holds an MFA in Dance Pedagogy from The Hong Kong Academy for Performing Arts.

Her research interests include interdisciplinary dance education, somatics, embodied cognition, Laban Movement Analysis, creative dance pedagogy, dance science, physical and aesthetic education, and dance and health.

Her academic work has been presented through The Hong Kong Academy for Performing Arts and selected for the World Dance Alliance 2025 SWEAT Dance Symposium.

He holds a PhD from Kookmin University, South Korea, a master's degree from Lu Xun Academy of Fine Arts, and a bachelor's degree in Theatre, Film and Television Art Design from the National Academy of Chinese Theatre Arts.

His research focuses on spatial culture, performance space, stage and visual design, and interdisciplinary approaches to art, design, and embodied cultural environments.

His professional affiliations include the China Institute of Stage Design, the Heilongjiang Artists Association, and the Korean Society of Design Science.